Photography Lights

Give lighting needs to be the foremost consideration to produce beautiful photographs from any studio session.

The perfect combination of lens & camera are indeed important, however, are often overrated in comparison to the significance of the proper and sufficient lighting.

Budget is a factor in any photography equipment investment

. . . . . . . . . . . . and quite normally is exercised more in using low cost and inadequate equipment.

Canon Speedlite


Canon 430 EX

Yongnuo Pro Flash

YN 560 III For Mark IV

Canon Speedlite 270EX

Works with Canon 270EX-TTL (I/II)

Savage Light

3000 Watts

Bescor LED Twin

400 Watts Total

Prime 800


KinFlo 201

2700-6500 Range

Flash Lights

When using a flash, there are two types to decide between depending on your circumstances.

A hotshoe flash or a studio flash.

A hotshoe flash is best utilized for a photographer on the move like a journalist or a sports photographer. The convenience of fitting the hotshoe flash into the hotshoe of your camera will not give you the best and most professional shots. It is best used with multiple flashes, not attached to the camera but attached to a flash stand, and with an umbrella to diffuse the light. Some advantages are that the hotshoe flash is easy on your checkbook, portable and it is not necessary to have an electrical power source because it operates on batteries. You will need to carry a supply of extra batteries.
While a hotshoe flash can be an optimal choice in some situations there are some drawbacks that are necessary to consider. They have a limited amount of power and there is a limited range of accessories that are available to enhance the effectiveness of a hotshoe flash, the main one being an umbrella. Because hotshoe flashes always fire at full power the disadvantage of an extremely short flash duration causes the color temperature of the flash to increase. Increased or decreased color temperature can give your photos a whole different and unintended look. One final downside is the trigger needed for each individual flash, called a radio trigger. The trigger can add an additional expense and a frustrating complexity to your photography session.